Profit & Loss Analysis
đ Financial Breakdown
| Category | Amount (Approx) |
|---|---|
| Official Budget | TBA |
| Worldwide Gross | TBA |
| IMDb Rating | / 10 |
đ Detailed Financial Report
The financial journey of Desire Machine: 60 Years of Teatro Oficina began with its theatrical debut in 2021. Production insiders estimate the budget to be around an undisclosed amount. This figure typically includes principal photography, talent fees, and post-production costs, but often excludes marketing and distribution expenses which can add another 30-50% to the total investment.
đ Collection Trajectory
The box office journey for Desire Machine: 60 Years of Teatro Oficina has culminated in a worldwide gross of approximately TBA. While it found an audience, the box office returns faced stiff competition from other releases.
âïž Profitability & Verdict
In the modern film economy, theatrical revenue is just one slice of the pie. However, it remains the primary indicator of a film's "Hit" or "Flop" status. Based on the reported numbers and audience reception (5/10), Desire Machine: 60 Years of Teatro Oficina is effectively categorized as a Financial Disappointment.
đ Comparables
Among the Documentary offerings of 2021, this film occupy a unique position, reflecting current viewer trends. Its performance will likely influence studio decisions for future projects in this category.
â Frequently Asked Questions
How much did Desire Machine: 60 Years of Teatro Oficina earn at the box office?
Desire Machine: 60 Years of Teatro Oficina has grossed approximately TBA worldwide as of our latest data updating this 2021 report.
What was the production budget for Desire Machine: 60 Years of Teatro Oficina?
The reported production cost for Desire Machine: 60 Years of Teatro Oficina was roughly TBA, excluding marketing and distribution.
Is Desire Machine: 60 Years of Teatro Oficina a box office hit or flop?
Based on its worldwide collection of TBA against a budget of TBA, the film's rating is 5/10, indicating it was a financial disappointment.
