Tetsuya Fujita
ActingCareer Statistics & Market Influence
Analyzing the cinematic journey of Tetsuya Fujita reveals a career defined by diverse artistic exploration. With a total of 6 major appearances, the actor has established a significant footprint in global cinema.
Genre Dominance: Drama
The majority of Tetsuya Fujita's filmography leans towards the Drama genre. Audience data suggests that viewers respond most favorably to this persona, though their versatility has allowed for successful crossovers into other categories.
The "Box Office" Signature
With a 17% Success Ratio (movies rated above 6.5), Tetsuya Fujita remains a reliable draw for studios. Their peak performance was recorded in Takeshi: Childhood Days, which continues to be the benchmark for their career rating-wise.
Best Tetsuya Fujita Movies Ranked
Must-watch hits from Tetsuya Fujita's career based on audience ratings.
Complete Filmography & Success Status
Tracking the career evolution and box office verdicts of Tetsuya Fujita.
| Year | Movie | Character | Success | More |
|---|---|---|---|---|
| 2000 | Noroime | - | Flop | Similar → |
| 1994 | Edogawa Rampo Theater: The Man Who Travels With Prints | Kuniharu Motoki (boyhood) | Flop | Similar → |
| 1992 | I've Heard the Ammonite Murmur | Young Brother | Average | Similar → |
| 1992 | The River with No Bridge | - | Average | Similar → |
| 1990 | Takeshi: Childhood Days | Shinji Kazama | Super Hit | Similar → |
| 1989 | Let Him Rest in Peace | - | Flop | Similar → |
Tetsuya Fujita - Frequently Asked Questions
What is the best movie of Tetsuya Fujita?
According to audience ratings, the best movie starring Tetsuya Fujita is "Takeshi: Childhood Days" with a rating of 7.5/10.
How many movies has Tetsuya Fujita acted in?
Tetsuya Fujita has been featured in at least 6 major films throughout their career.
What are some other popular movies by Tetsuya Fujita?
Other notable films include "The River with No Bridge", "I've Heard the Ammonite Murmur", and "Edogawa Rampo Theater: The Man Who Travels With Prints".




