
Giulio Tomei
ActingGiulio Tomei Movies & Career Overview
The filmography of Giulio Tomei reflects a career marked by diverse experimentation. Across 9 major appearances, the actor has built a reputation through performances in multiple genres and storytelling styles.
Dominant Genre
A large portion of Giulio Tomei's work falls within the Adventure genre, where audiences tend to respond most strongly to their on-screen presence.
Success Ratio
Approximately 33% of Giulio Tomei's films maintain ratings above 6.5, indicating a consistent level of audience approval.
One of the most highly rated entries in their career remains La Dolce Vita, which stands out as a key performance.
Best Giulio Tomei Movies Ranked
Must-watch hits from Giulio Tomei's career based on audience ratings.
Full Filmography
Every movie Giulio Tomei has appeared in, with audience ratings and verdicts.
| Year | Movie | Character | Success | More |
|---|---|---|---|---|
| 1967 | Flashman | Professor Phillips | Flop | Similar → |
| 1964 | Revenge of The Gladiators | Christian Leader | Average | Similar → |
| 1964 | The Magnificent Gladiator | Old Shepherd | Average | Similar → |
| 1964 | Sword of the Empire | Cleandro | Average | Similar → |
| 1964 | Lost Treasure of the Incas | Totac - Mysia's Father | Hit | Similar → |
| 1960 | The Dolphins | padre di Anselmo | Hit | Similar → |
| 1960 | La Dolce Vita | Night Club Customer (uncredited) | Super Hit | Similar → |
| 1958 | Venice, the Moon and You | - | Average | Similar → |
| 1948 | First Opera Film Festival | Gessler | Flop | Similar → |
Giulio Tomei - Frequently Asked Questions
What is the best movie of Giulio Tomei?
According to audience ratings, the best movie starring Giulio Tomei is "La Dolce Vita" with a rating of 8.0/10.
How many movies has Giulio Tomei acted in?
Giulio Tomei has been featured in at least 9 major films throughout their career.
What are some other popular movies by Giulio Tomei?
Other notable films include "Lost Treasure of the Incas", "The Dolphins", and "Sword of the Empire".




