
Ineko Arima
ActingAbout Ineko Arima
Ineko Arima (born April 3, 1932) is a revered Japanese film actress. With a career spanning from 1957 to the present, Arima has graced the silver screen under the guidance of legendary directors like Yasujirō Ozu and Kon Ichikawa. Her notable filmography includes roles in Late Chrysanthemums, Black River, Tokyo Twilight, Equinox Flower, and Love Under the Crucifix, showcasing her remarkable talent. Beyond film, she has also made her mark on television, notably in NHK Taiga dramas like Ten to Chi to and Tokugawa Yoshinobu. Arima's contributions have been recognized with honors in Japan, including the Medal with Purple Ribbon (1995) and the Order of the Precious Crown (2003).
Ineko Arima Movies & Career Overview
The filmography of Ineko Arima reflects a strong mix of popular and critically appreciated roles. Across 50 major appearances, the actor has built a reputation through performances in multiple genres and storytelling styles.
Dominant Genre
A large portion of Ineko Arima's work falls within the Drama genre, where audiences tend to respond most strongly to their on-screen presence.
Success Ratio
Approximately 58% of Ineko Arima's films maintain ratings above 6.5, indicating a consistent level of audience approval.
One of the most highly rated entries in their career remains Mune yori mune ni, which stands out as a key performance.
Best Ineko Arima Movies Ranked
Must-watch hits from Ineko Arima's career based on audience ratings.
Full Filmography
Every movie Ineko Arima has appeared in, with audience ratings and verdicts.
Ineko Arima - Frequently Asked Questions
What is the best movie of Ineko Arima?
According to audience ratings, the best movie starring Ineko Arima is "Mune yori mune ni" with a rating of 10.0/10.
How many movies has Ineko Arima acted in?
Ineko Arima has been featured in at least 50 major films throughout their career.
What are some other popular movies by Ineko Arima?
Other notable films include "Life of Matsu the Untamed", "A Full Life", and "Closed Ward".




