Mariko Miho
ActingMariko Miho Movies & Career Overview
The filmography of Mariko Miho reflects a career marked by diverse experimentation. Across 11 major appearances, the actor has built a reputation through performances in multiple genres and storytelling styles.
Dominant Genre
A large portion of Mariko Miho's work falls within the Drama genre, where audiences tend to respond most strongly to their on-screen presence.
Success Ratio
Approximately 36% of Mariko Miho's films maintain ratings above 6.5, indicating a consistent level of audience approval.
One of the most highly rated entries in their career remains Gonin no totsugeki tai, which stands out as a key performance.
Best Mariko Miho Movies Ranked
Must-watch hits from Mariko Miho's career based on audience ratings.
Full Filmography
Every movie Mariko Miho has appeared in, with audience ratings and verdicts.
| Year | Movie | Character | Success | More |
|---|---|---|---|---|
| 1961 | Okoto and Sasuke | Kotomi | Super Hit | Similar → |
| 1961 | A Geisha's Diary | Tsuruko | Super Hit | Similar → |
| 1961 | Shin Jinsei Gekijo | - | Flop | Similar → |
| 1961 | Triangle Moods | - | Flop | Similar → |
| 1961 | Gonin no totsugeki tai | - | Super Hit | Similar → |
| 1961 | The Ginza Three Boys | - | Flop | Similar → |
| 1960 | The False Student | - | Hit | Similar → |
| 1960 | Machi no uwasa mo sanjûgo nichi | Lady B | Flop | Similar → |
| 1960 | Kirai Kirai Kirai | - | Flop | Similar → |
| 1960 | A Woman's Testament | - | Average | Similar → |
| 1959 | Diary of a Substitute Doctor | - | Flop | Similar → |
Mariko Miho - Frequently Asked Questions
What is the best movie of Mariko Miho?
According to audience ratings, the best movie starring Mariko Miho is "Gonin no totsugeki tai" with a rating of 10.0/10.
How many movies has Mariko Miho acted in?
Mariko Miho has been featured in at least 11 major films throughout their career.
What are some other popular movies by Mariko Miho?
Other notable films include "Okoto and Sasuke", "A Geisha's Diary", and "The False Student".




