
Willard Maas
DirectingAbout Willard Maas
Willard Maas (b. 24 June 1906 - 2 January 1971) was an American experimental filmmaker and poet. He was the husband of filmmaker Marie Menken. The couple achieved some renown in New York City's modern art world of the 1940s through the 1960s, both for their experimental films and for their salons, which brought together artists, writers, filmmakers and intellectuals. According to their associate, Andy Warhol, 'Willard and Marie were the last of the great bohemians. They wrote and filmed and drank -- their friends called them 'scholarly drunks' -- and were involved with all the modern poets. In the 1960s, Maas was a faculty member at Wagner College and an organizer of the New York City Writer's Conference at the college where Edward Albee was a writer in residence. The filmmaker Kenneth Anger indicates that Maas and Menken may have been a significant part of the inspiration for the characters of George and Martha in Edward Albee's 1962 play Who's Afraid of Virginia Woolf? (Scott McDonald - 'A Critical Cinema: Interviews with Independent Filmmakers' (University of California Press - 1988). Maas died on January 2 1971, four days after Menken had died of alcohol related illness. He was cremated. The Maas/Menken materials and letters are located at the University of Texas (in Austin). A selection of these items is on deposit/loan (in Trust) at the Anthology Film Archives in New York. The Willard Maas Papers - a collection of approximately 500 letters, manuscripts, page proofs, photographs, drawings, play scripts, and film scripts from the period 1931-1967 - is housed at Brown University.
Career Statistics & Market Influence
Analyzing the cinematic journey of Willard Maas reveals a career defined by diverse artistic exploration. With a total of 7 major appearances, the actor has established a significant footprint in global cinema.
Genre Dominance: Documentary
The majority of Willard Maas's filmography leans towards the Documentary genre. Audience data suggests that viewers respond most favorably to this persona, though their versatility has allowed for successful crossovers into other categories.
The "Box Office" Signature
With a 14% Success Ratio (movies rated above 6.5), Willard Maas remains a reliable draw for studios. Their peak performance was recorded in Andy Warhol Screen Tests, which continues to be the benchmark for their career rating-wise.
Best Willard Maas Movies Ranked
Must-watch hits from Willard Maas's career based on audience ratings.
Complete Filmography & Success Status
Tracking the career evolution and box office verdicts of Willard Maas.
| Year | Movie | Character | Success | More |
|---|---|---|---|---|
| 1967 | Orgia | Himself | Flop | Similar → |
| 1965 | Andy Warhol Screen Tests | Self | Super Hit | Similar → |
| 1965 | Bitch | - | Average | Similar → |
| 1964 | Blow Job | The Giver (uncredited) | Flop | Similar → |
| 1961 | Arabesque for Kenneth Anger | - | Average | Similar → |
| 1957 | Narcissus | - | Flop | Similar → |
| 1943 | The Geography of the Body | Body | Flop | Similar → |
Willard Maas - Frequently Asked Questions
What is the best movie of Willard Maas?
According to audience ratings, the best movie starring Willard Maas is "Andy Warhol Screen Tests" with a rating of 8.0/10.
How many movies has Willard Maas acted in?
Willard Maas has been featured in at least 7 major films throughout their career.
What are some other popular movies by Willard Maas?
Other notable films include "Bitch", "Arabesque for Kenneth Anger", and "The Geography of the Body".




