A Stranger Came by Train Ending Explained: What Happened and Why?
Complete breakdown of the climax, final twists, and spoilers for A Stranger Came by Train.
A Stranger Came by Train Ending Explained: An American gangster of Swedish origins returns to his homeland to set up shop as a morality crusader, much in the manner of the later phenomenon of televangelists. Directed by Lars G. Thelestam, this 1974 crime film stars Clu Gulager (Glenn Mortenson), alongside Ernst Günther as Anders Andersson, Per Oscarsson as Johan Gustavsson, Anne-Lise Gabold as Maria. With a 6/10 rating, the ending has divided audiences.
What Happens at the End of A Stranger Came by Train?
An American gangster of Swedish origins returns to his homeland to set up shop as a morality crusader, much in the manner of the later phenomenon of televangelists. While indulging in behind-the-scene shenanigans including rape and murder, the gangster (played by American Clu Gulagher) preaches to large audiences, using mass hypnotism and show-biz razzmatazz to get his message across. The film also features a brief performance by Per Oscarsson, following his highly publicized "retirement" from screen acting.
Lars G. Thelestam's narrative builds toward a resolution centered on Clu Gulager (Glenn Mortenson)'s journey. While indulging in behind-the-scene shenanigans including rape and murder, the gangster (played by American Clu Gulagher) preaches to large audiences, using mass hypnotism and show-biz razzmatazz to get his message across.
How Does Clu Gulager (Glenn Mortenson)'s Story End?
- Clu Gulager: Clu Gulager's storyline wraps up in the final act, though some viewers have found the resolution more ambiguous than expected.
- Ernst Günther (Anders Andersson): Ernst Günther's role in the climax proves pivotal to how the central conflict resolves.
- Per Oscarsson (Johan Gustavsson): Per Oscarsson's character undergoes a significant shift in the final act.
What Does the Ending of A Stranger Came by Train Mean?
A Stranger Came by Train's ending attempts to resolve the major plot threads, though some narrative elements involving Clu Gulager may feel rushed. Lars G. Thelestam's final act has been both praised for its ambition and criticized for its execution.