Aida Ending Explained: La Scala went all out for its 1986 production of this grandest of grand operas, with a strong cast and, most important for a video recording, a larger-than-life staging. Directed by Derek Bailey, this 1985 music film stars Maria Chiara (Aida), alongside Luciano Pavarotti as Radamès, Ghena Dimitrova as Amneris, Nicolai Ghiaurov as Ramfis. With a 6.7/10 rating, the ending has divided audiences.

What Happens at the End of Aida?

La Scala went all out for its 1986 production of this grandest of grand operas, with a strong cast and, most important for a video recording, a larger-than-life staging. The Triumph Scene in Act II is by no means Aida's only attraction, but it is the part that makes the strongest and most lasting impression and it is the visual and musical climax of this production. Stage director Luca Ronconi brings on a procession to dwarf all processions: looted treasures, heroic statuary, miserable captives struggling under the lash of whip-bearing slave drivers. On par with these visuals is Lorin Maazel's first-class performance of the popular Grand March with the outstanding La Scala chorus and orchestra. In Act III, the contrasting tranquility of the Nile Scene also gets a visual treatment to match the music's qualities.

Derek Bailey's narrative builds toward a resolution centered on Maria Chiara (Aida)'s journey. The Triumph Scene in Act II is by no means Aida's only attraction, but it is the part that makes the strongest and most lasting impression and it is the visual and musical climax of this production.

How Does Maria Chiara (Aida)'s Story End?

  • Maria Chiara: Maria Chiara's storyline wraps up in the final act, though some viewers have found the resolution more ambiguous than expected.
  • Luciano Pavarotti (Radamès): Luciano Pavarotti's role in the climax proves pivotal to how the central conflict resolves.
  • Ghena Dimitrova (Amneris): Ghena Dimitrova's character undergoes a significant shift in the final act.

What Does the Ending of Aida Mean?

Aida's ending attempts to resolve the major plot threads, though some narrative elements involving Maria Chiara may feel rushed. Derek Bailey's final act has been both praised for its ambition and criticized for its execution.