Angel's Smile, Devil's Tears Ending Explained: This musical play is based on the first act of Goethe's Faust. Directed by Shuichiro Koike, this 1989 drama film stars Tsurugi Miyuki (Heinrich Faust / Raphael), alongside Kodama Ai as Margaret / Angelique, Mayo Suzukaze as Mephistopheles, Kyou Misa as Elisabeth. Rated 0/10, the conclusion has sparked discussion among viewers.

What Happens at the End of Angel's Smile, Devil's Tears?

This musical play is based on the first act of Goethe's Faust. The angel Mephistopheles is condemned to fall from heaven after committing a sin. He is told that he can only return to heaven if he can bring a human being on the path of salvation. Mephistopheles refuses, believing that man is inherently evil. Vowing to drag a human down to hell along with him, he descends onto Earth and sets his sights on a man named Faust, an aged professor with no will to live.

Shuichiro Koike's narrative builds toward a resolution centered on Tsurugi Miyuki (Heinrich Faust / Raphael)'s journey. The angel Mephistopheles is condemned to fall from heaven after committing a sin.

How Does Tsurugi Miyuki (Heinrich Faust / Raphael)'s Story End?

  • Tsurugi Miyuki: Tsurugi Miyuki's storyline wraps up in the final act, though some viewers have found the resolution more ambiguous than expected.
  • Kodama Ai (Margaret / Angelique): Kodama Ai's role in the climax proves pivotal to how the central conflict resolves.
  • Mayo Suzukaze (Mephistopheles): Mayo Suzukaze's character undergoes a significant shift in the final act.

Is Angel's Smile, Devil's Tears Based on a True Story?

Yes — Angel's Smile, Devil's Tears draws from real events. The ending reflects documented outcomes, though Shuichiro Koike has taken creative liberties in dramatizing specific scenes for cinematic impact.

What Does the Ending of Angel's Smile, Devil's Tears Mean?

The ending of Angel's Smile, Devil's Tears brings the narrative to a close, though viewer reception has been mixed. The resolution of Tsurugi Miyuki's story may not satisfy all audiences.