Django: La otra cara Ending Explained: Based on true events, this crime drama chronicles the wanderings of the thief Orlando González -alias Django- during his brief years of glory. Directed by Ricardo Velásquez, this 2002 drama film stars Giovanni Ciccia (Oswaldo Gonzales 'Django'), alongside Melania Urbina as Melisa, Sergio Galliani as Maco, Tatiana Astengo as Tania. With a 6.8/10 rating, the ending has divided audiences.

What Happens at the End of Django: La otra cara?

Based on true events, this crime drama chronicles the wanderings of the thief Orlando González -alias Django- during his brief years of glory. After spending a time in the province, Django returns to Lima with his family, trying to escape the criminal circuit. But the appearance of the woman of a dead partner will unleash Django's ambition, and his libido.

Ricardo Velásquez's narrative builds toward a resolution centered on Giovanni Ciccia (Oswaldo Gonzales 'Django')'s journey. After spending a time in the province, Django returns to Lima with his family, trying to escape the criminal circuit.

As part of the Django Collection, the ending carries additional weight for fans following the franchise.

How Does Giovanni Ciccia (Oswaldo Gonzales 'Django')'s Story End?

  • Giovanni Ciccia: Giovanni Ciccia's storyline wraps up in the final act, though some viewers have found the resolution more ambiguous than expected.
  • Melania Urbina (Melisa): Melania Urbina's role in the climax proves pivotal to how the central conflict resolves.
  • Sergio Galliani (Maco): Sergio Galliani's character undergoes a significant shift in the final act.

Is Django: La otra cara Based on a True Story?

Yes — Django: La otra cara draws from real events. The ending reflects documented outcomes, though Ricardo Velásquez has taken creative liberties in dramatizing specific scenes for cinematic impact.

What Does the Ending of Django: La otra cara Mean?

Django: La otra cara's ending attempts to resolve the major plot threads, though some narrative elements involving Giovanni Ciccia may feel rushed. Ricardo Velásquez's final act has been both praised for its ambition and criticized for its execution.