Face to Face Ending Explained: The film starts in the early 1950s showing Sreedharan, the protagonist, as a very popular communist leader and trade union activist. Directed by Adoor Gopalakrishnan, this 1984 drama film stars Ashokan (Sudhakaran as a man), alongside P. Ganga as Sridharan, Vishwanathan as Sudhakaran as a boy, Balan K Nair. Rated 7/10 by audiences, the conclusion brings the story to a satisfying close.

What Happens at the End of Face to Face?

The film starts in the early 1950s showing Sreedharan, the protagonist, as a very popular communist leader and trade union activist. He is forced to go underground after his name was associated with the murder of the owner of a tile factory. He is considered to be dead by his party and they even erect a memorial for him. But he makes an unexpected comeback almost 10 years later, after the first communist ministry gained and lost power in Kerala and after the Communist Party of India has split. On his return, he spends his time sleeping and drinking. His come back is first a puzzle and then an embarrassment to his comrades and family. As the disappointment on his new face grows, he is found murdered. The film ends when both the communist parties jointly celebrate his martyrdom.

Adoor Gopalakrishnan's narrative builds toward a resolution centered on Ashokan (Sudhakaran as a man)'s journey. He is forced to go underground after his name was associated with the murder of the owner of a tile factory.

How Does Ashokan (Sudhakaran as a man)'s Story End?

  • Ashokan: Ashokan's arc reaches a definitive conclusion by the final act, with Adoor Gopalakrishnan delivering a resolution that feels earned after the film's 1h 48m runtime.
  • P. Ganga (Sridharan): P. Ganga's role in the climax proves pivotal to how the central conflict resolves.
  • Vishwanathan (Sudhakaran as a boy): Vishwanathan's character undergoes a significant shift in the final act.

What Does the Ending of Face to Face Mean?

The ending of Face to Face ties together the narrative threads involving Ashokan. Adoor Gopalakrishnan chooses a conclusion that prioritizes thematic consistency over surprise, resulting in an ending that rewards viewers who engaged with the story's central themes.