Flowers in the Attic Ending Explained: What Happened and Why?
Complete breakdown of the climax, final twists, and spoilers for Flowers in the Attic.
Flowers in the Attic Ending Explained: After the death of her husband, a mother takes her kids off to live with their grandparents in a huge, decrepit old mansion. Directed by Jeffrey Bloom, this 1987 drama film stars Louise Fletcher (Olivia Foxworth), alongside Victoria Tennant as Corrine Dollanganger, Kristy Swanson as Cathy Dollanganger, Jeb Stuart Adams as Chris Dollanganger. With a 6.3/10 rating, the ending has divided audiences.
What Happens at the End of Flowers in the Attic?
After the death of her husband, a mother takes her kids off to live with their grandparents in a huge, decrepit old mansion. However, the kids are kept hidden in a room just below the attic, visited only by their mother who becomes less and less concerned about them and their failing health, and more concerned about herself and the inheritence she plans to win back from her dying father.
Jeffrey Bloom's narrative builds toward a resolution centered on Louise Fletcher (Olivia Foxworth)'s journey. However, the kids are kept hidden in a room just below the attic, visited only by their mother who becomes less and less concerned about them and their failing health, and more concerned about herself and the inheritence she plans to win back from her dying father.
How Does Louise Fletcher (Olivia Foxworth)'s Story End?
- Louise Fletcher: Louise Fletcher's storyline wraps up in the final act, though some viewers have found the resolution more ambiguous than expected.
- Victoria Tennant (Corrine Dollanganger): Victoria Tennant's role in the climax proves pivotal to how the central conflict resolves.
- Kristy Swanson (Cathy Dollanganger): Kristy Swanson's character undergoes a significant shift in the final act.
What Does the Ending of Flowers in the Attic Mean?
Flowers in the Attic's ending attempts to resolve the major plot threads, though some narrative elements involving Louise Fletcher may feel rushed. Jeffrey Bloom's final act has been both praised for its ambition and criticized for its execution.