How to Be Really Bad Ending Explained: What Happened and Why?
Complete breakdown of the climax, final twists, and spoilers for How to Be Really Bad.
How to Be Really Bad Ending Explained: The life of 14-year-old Lilith is similar to that of a normal teenager, but there is a peculiarity: she is the daughter of the devil and lives with him in hell. Directed by Marco Petry, this 2018 comedy film stars Emma Bading (Lilith), alongside Janina Fautz as Greta Birnstein, Ludwig Simon as Samuel, Samuel Finzi as Teufel / Vater. With a 6.6/10 rating, the ending has divided audiences.
What Happens at the End of How to Be Really Bad?
The life of 14-year-old Lilith is similar to that of a normal teenager, but there is a peculiarity: she is the daughter of the devil and lives with him in hell. Because she is totally bored there and also wants to have fun and explore the world, she makes a pact with her father: she is allowed to go to earth for a week - but she has to convert a good person to evil there. If she succeeds in this challenge, she may stay on earth forever, otherwise she'll be waving a hell of a boring job in the bookkeeping of the underworld.
Marco Petry's narrative builds toward a resolution centered on Emma Bading (Lilith)'s journey. Because she is totally bored there and also wants to have fun and explore the world, she makes a pact with her father: she is allowed to go to earth for a week - but she has to convert a good person to evil there.
How Does Emma Bading (Lilith)'s Story End?
- Emma Bading: Emma Bading's storyline wraps up in the final act, though some viewers have found the resolution more ambiguous than expected.
- Janina Fautz (Greta Birnstein): Janina Fautz's role in the climax proves pivotal to how the central conflict resolves.
- Ludwig Simon (Samuel): Ludwig Simon's character undergoes a significant shift in the final act.
What Does the Ending of How to Be Really Bad Mean?
How to Be Really Bad's ending attempts to resolve the major plot threads, though some narrative elements involving Emma Bading may feel rushed. Marco Petry's final act has been both praised for its ambition and criticized for its execution.