La madama Ending Explained: What Happened and Why?
Complete breakdown of the climax, final twists, and spoilers for La madama.
La madama Ending Explained: In the slang of the underworld or "mala" there is a special term for cop: "Madama". Directed by Duccio Tessari, this 1976 crime film stars Christian De Sica (Vito Militiello), alongside Ines Pellegrini as Irma, Oreste Lionello as Inspector Solmi, Ettore Manni as Sante Tonnaro. With a 6.2/10 rating, the ending has divided audiences.
What Happens at the End of La madama?
In the slang of the underworld or "mala" there is a special term for cop: "Madama". But if word were to get around that the "Madama" is Vito (Christian De Sica) they might even start to like the guy. Vito is a funny sort of a cop. For a start he doesn't like the uniform (he never wears it). Things might even go smoothly for him, if it weren't for an incredible number of beautiful girls who always manage to get in his way. Especially one girl Angelo (shouldn't that have been Angela? No, the girl's name really is Angelo). Problems arise too, with his direct supervisor, who also happens to be a relative. But Vito puts up with it all and manages to stay his usual calm and polite self, even when he risks getting killed.
Duccio Tessari's narrative builds toward a resolution centered on Christian De Sica (Vito Militiello)'s journey. But if word were to get around that the "Madama" is Vito (Christian De Sica) they might even start to like the guy.
How Does Christian De Sica (Vito Militiello)'s Story End?
- Christian De Sica: Christian De Sica's storyline wraps up in the final act, though some viewers have found the resolution more ambiguous than expected.
- Ines Pellegrini (Irma): Ines Pellegrini's role in the climax proves pivotal to how the central conflict resolves.
- Oreste Lionello (Inspector Solmi): Oreste Lionello's character undergoes a significant shift in the final act.
What Does the Ending of La madama Mean?
La madama's ending attempts to resolve the major plot threads, though some narrative elements involving Christian De Sica may feel rushed. Duccio Tessari's final act has been both praised for its ambition and criticized for its execution.