La tercera luna Ending Explained: A transsexual, after having tragically lost his lover, falls in love with a young man in need of protection, without suspecting that this is the fruit of a past love affair, when he was still male. Directed by Gregorio Almendros, this 1984 drama film stars Ana Valdi (Ángel / Ana), alongside Antonio “Pierrot” Gracia as Cari, Alberto Bourbón as Javier, César Diéguez. Rated 7/10 by audiences, the conclusion brings the story to a satisfying close.

What Happens at the End of La tercera luna?

A transsexual, after having tragically lost his lover, falls in love with a young man in need of protection, without suspecting that this is the fruit of a past love affair, when he was still male.

How Does Ana Valdi (Ángel / Ana)'s Story End?

  • Ana Valdi: Ana Valdi's arc reaches a definitive conclusion by the final act, with Gregorio Almendros delivering a resolution that feels earned after the film's 1h 30m runtime.
  • Antonio “Pierrot” Gracia (Cari): Antonio “Pierrot” Gracia's role in the climax proves pivotal to how the central conflict resolves.
  • Alberto Bourbón (Javier): Alberto Bourbón's character undergoes a significant shift in the final act.

What Does the Ending of La tercera luna Mean?

The ending of La tercera luna ties together the narrative threads involving Ana Valdi. Gregorio Almendros chooses a conclusion that prioritizes thematic consistency over surprise, resulting in an ending that rewards viewers who engaged with the story's central themes.