Mister Perrichon's Trip Ending Explained: What Happened and Why?
Complete breakdown of the climax, final twists, and spoilers for Mister Perrichon's Trip.
Mister Perrichon's Trip Ending Explained: Monsieur Perrichon, a rich coachbuilder by profession, is an honest but vain member of the bourgeoisie who decides to take a pleasure trip in the company of his wife Caroline and his daughter Henrietta. Directed by Margarita Mikaelyan, this 1990 comedy film stars Oleg Tabakov (Perrishon), alongside Sergey Gazarov as Daniel, Valentin Gaft, Tatyana Vasileva. With a 6.1/10 rating, the ending has divided audiences.
What Happens at the End of Mister Perrichon's Trip?
Monsieur Perrichon, a rich coachbuilder by profession, is an honest but vain member of the bourgeoisie who decides to take a pleasure trip in the company of his wife Caroline and his daughter Henrietta. The family, deciding on a train journey to the Swiss Alps, arrive at Gare de Lyon in Paris where they happen upon two young suitors, both with the same goal of marrying Henrietta. Over the course of the journey, the two men are involved in an honorable but fierce struggle for the young lady's hand in marriage.
Margarita Mikaelyan's narrative builds toward a resolution centered on Oleg Tabakov (Perrishon)'s journey. The family, deciding on a train journey to the Swiss Alps, arrive at Gare de Lyon in Paris where they happen upon two young suitors, both with the same goal of marrying Henrietta.
How Does Oleg Tabakov (Perrishon)'s Story End?
- Oleg Tabakov: Oleg Tabakov's storyline wraps up in the final act, though some viewers have found the resolution more ambiguous than expected.
- Sergey Gazarov (Daniel): Sergey Gazarov's role in the climax proves pivotal to how the central conflict resolves.
- Valentin Gaft: Valentin Gaft's character undergoes a significant shift in the final act.
What Does the Ending of Mister Perrichon's Trip Mean?
Mister Perrichon's Trip's ending attempts to resolve the major plot threads, though some narrative elements involving Oleg Tabakov may feel rushed. Margarita Mikaelyan's final act has been both praised for its ambition and criticized for its execution.