P'al otro lado Ending Explained: Desideria, a servant girl, dreams of traveling to Buenos Aires. Directed by José Bohr, this 1942 comedy film stars Ana González (Desideria), alongside Tita Merello, Alberto Closas as Jorge, Floren Delbene. With a 9/10 audience rating, the ending has been widely praised.

What Happens at the End of P'al otro lado?

Desideria, a servant girl, dreams of traveling to Buenos Aires. Incredibly, Blas Pastrana, a relative of her employers, is dying in Argentina and expressly asks them to travel with her. When he arrives at his deathbed, he says that he inherits everything to the employee, confessing that she is his daughter, but on one condition: that in less than two weeks she gets married. Her employers try to convince her to marry the son of the family, Jorge, but Desideria is interested in Tito, a nice porteño. Everything ends in a surprise ending.

José Bohr's narrative builds toward a resolution centered on Ana González (Desideria)'s journey. Incredibly, Blas Pastrana, a relative of her employers, is dying in Argentina and expressly asks them to travel with her.

How Does Ana González (Desideria)'s Story End?

  • Ana González: Ana González's arc reaches a definitive conclusion by the final act, with José Bohr delivering a resolution that feels earned after the film's 1h 10m runtime.
  • Tita Merello: Tita Merello's role in the climax proves pivotal to how the central conflict resolves.
  • Alberto Closas (Jorge): Alberto Closas's character undergoes a significant shift in the final act.

What Does the Ending of P'al otro lado Mean?

P'al otro lado concludes with José Bohr reinforcing the comedy themes established throughout the film. The final moments with Ana González leave a lasting impression — the ending is both a resolution and a statement about the story's central questions.