Pete the Tender Ending Explained: In this crime drama, Michel Simon is cast as Pierrot, an elderly gangster who does not fit the stereotype -- he is soft-hearted. Directed by François Villiers, this 1960 crime film stars Michel Simon (Pierrot), alongside Claude Brasseur as Tony, Dany Saval as 'Marie la Crèpe', Marie Daëms as The Patroness of Péché Originel. Rated 5.7/10, the conclusion has sparked discussion among viewers.

What Happens at the End of Pete the Tender?

In this crime drama, Michel Simon is cast as Pierrot, an elderly gangster who does not fit the stereotype -- he is soft-hearted. After a petty criminal betrays his cohorts by taking off with the loot from a big robbery, he is caught and sent to jail. Now he has served his time, and Pierrot is given the task of retrieving the stolen cash. The tyro criminal tries to use a pretty young woman who has fallen in love with him as a red herring for Pierrot's investigation. Everything backfires though, and Pierrot is left considering what to do with the loot, and with the criminal who does not yet realize he loves his attractive accomplice and could have a good life with her if he opts for walking the straight and narrow.

François Villiers's narrative builds toward a resolution centered on Michel Simon (Pierrot)'s journey. After a petty criminal betrays his cohorts by taking off with the loot from a big robbery, he is caught and sent to jail.

How Does Michel Simon (Pierrot)'s Story End?

  • Michel Simon: Michel Simon's storyline wraps up in the final act, though some viewers have found the resolution more ambiguous than expected.
  • Claude Brasseur (Tony): Claude Brasseur's role in the climax proves pivotal to how the central conflict resolves.
  • Dany Saval ('Marie la Crèpe'): Dany Saval's character undergoes a significant shift in the final act.

What Does the Ending of Pete the Tender Mean?

The ending of Pete the Tender brings the narrative to a close, though viewer reception has been mixed. The resolution of Michel Simon's story may not satisfy all audiences.