S As in... Ending Explained: One day Jean-Baptiste Beauregard (Pierre Curzi) does not go out to face work or daily activities, instead he daydreams about the women in his past, about his teenage years, his failed marriage, and even his boyhood desires. Directed by Jean Pierre Lefebvre, this 1984 story film stars Pierre Curzi, alongside Michel Daigle, Violaine Estérez, Marcel Sabourin. With a 10/10 audience rating, the ending has been widely praised.

What Happens at the End of S As in...?

One day Jean-Baptiste Beauregard (Pierre Curzi) does not go out to face work or daily activities, instead he daydreams about the women in his past, about his teenage years, his failed marriage, and even his boyhood desires. His mental images follow each other across the screen, revealing that the women in his life are all the same (different wigs and costumes on the same actress), and his love life never changes either. This sameness can have a dulling effect on the viewers, indicating that if Jean-Baptiste's reminiscences were trimmed and his daydreams more varied and exciting, he would hold interest a little longer.

Jean Pierre Lefebvre's narrative builds toward a resolution centered on Pierre Curzi's journey. His mental images follow each other across the screen, revealing that the women in his life are all the same (different wigs and costumes on the same actress), and his love life never changes either.

How Does Pierre Curzi's Story End?

  • Pierre Curzi: Pierre Curzi's arc reaches a definitive conclusion by the final act, with Jean Pierre Lefebvre delivering a resolution that feels earned after the film's 1h 28m runtime.
  • Michel Daigle: Michel Daigle's role in the climax proves pivotal to how the central conflict resolves.
  • Violaine Estérez: Violaine Estérez's character undergoes a significant shift in the final act.

What Does the Ending of S As in... Mean?

S As in... concludes with Jean Pierre Lefebvre reinforcing the story themes established throughout the film. The final moments with Pierre Curzi leave a lasting impression — the ending is both a resolution and a statement about the story's central questions.