Satyricon Ending Explained: After his young lover, Gitone, leaves him for another man, Encolpio decides to kill himself, but a sudden earthquake destroys his home before he has a chance to do so. Directed by Federico Fellini, this 1969 drama film stars Martin Potter (Encolpio), alongside Hiram Keller as Ascilto, Max Born as Gitone, Salvo Randone as Eumolpo. With a 6.7/10 rating, the ending has divided audiences.

What Happens at the End of Satyricon?

After his young lover, Gitone, leaves him for another man, Encolpio decides to kill himself, but a sudden earthquake destroys his home before he has a chance to do so. Now wandering around Rome in the time of Nero, Encolpio encounters one bizarre and surreal scene after another.

Federico Fellini's narrative builds toward a resolution centered on Martin Potter (Encolpio)'s journey. Now wandering around Rome in the time of Nero, Encolpio encounters one bizarre and surreal scene after another.

How Does Martin Potter (Encolpio)'s Story End?

  • Martin Potter: Martin Potter's storyline wraps up in the final act, though some viewers have found the resolution more ambiguous than expected.
  • Hiram Keller (Ascilto): Hiram Keller's role in the climax proves pivotal to how the central conflict resolves.
  • Max Born (Gitone): Max Born's character undergoes a significant shift in the final act.

What Does the Ending of Satyricon Mean?

Satyricon's ending attempts to resolve the major plot threads, though some narrative elements involving Martin Potter may feel rushed. Federico Fellini's final act has been both praised for its ambition and criticized for its execution.