The Criminal Hypnotist Ending Explained: To a reception there is invited a celebrated professor of hypnotism, and during the evening he obliges with an exhibition of his wonderful powers. Directed by D.W. Griffith, this 1909 crime film stars Owen Moore (The Man), alongside Marion Leonard as The Man's Fiancee, Arthur V. Johnson as The Criminal Hypnotist, David Miles as The Robbery Victim / Party Guest. Rated 2/10, the conclusion has sparked discussion among viewers.

What Happens at the End of The Criminal Hypnotist?

To a reception there is invited a celebrated professor of hypnotism, and during the evening he obliges with an exhibition of his wonderful powers. Several of the guests are put under the influence and made to perform most ridiculous antics, to their embarrassment upon reviving. The daughter of the host is the last to be subjected to the professor's power, and she proves to be such a good subject that the professor at once resolves to make her his unconscious agent in a dastardly plot he at once evolves.

D.W. Griffith's narrative builds toward a resolution centered on Owen Moore (The Man)'s journey. Several of the guests are put under the influence and made to perform most ridiculous antics, to their embarrassment upon reviving.

How Does Owen Moore (The Man)'s Story End?

  • Owen Moore: Owen Moore's storyline wraps up in the final act, though some viewers have found the resolution more ambiguous than expected.
  • Marion Leonard (The Man's Fiancee): Marion Leonard's role in the climax proves pivotal to how the central conflict resolves.
  • Arthur V. Johnson (The Criminal Hypnotist): Arthur V. Johnson's character undergoes a significant shift in the final act.

What Does the Ending of The Criminal Hypnotist Mean?

The ending of The Criminal Hypnotist brings the narrative to a close, though viewer reception has been mixed. The resolution of Owen Moore's story may not satisfy all audiences.