The Devil Made a Woman Ending Explained: Antonio is the leader of an underground armed group fighting in the village of Ronda against Napoleon's troops which have imposed French rule in 1808 Spain. Directed by Tulio Demicheli, this 1959 drama film stars Sara Montiel (Carmen), alongside Jorge Mistral as Antonio, Maurice Ronet as José, Germán Cobos as Lucas. With a 6.4/10 rating, the ending has divided audiences.

What Happens at the End of The Devil Made a Woman?

Antonio is the leader of an underground armed group fighting in the village of Ronda against Napoleon's troops which have imposed French rule in 1808 Spain. Micaela is madly in love with Antonio but he is devoted to Carmen, the region's most beautiful gypsy who lives and sings at a local inn.

Tulio Demicheli's narrative builds toward a resolution centered on Sara Montiel (Carmen)'s journey. Micaela is madly in love with Antonio but he is devoted to Carmen, the region's most beautiful gypsy who lives and sings at a local inn.

How Does Sara Montiel (Carmen)'s Story End?

  • Sara Montiel: Sara Montiel's storyline wraps up in the final act, though some viewers have found the resolution more ambiguous than expected.
  • Jorge Mistral (Antonio): Jorge Mistral's role in the climax proves pivotal to how the central conflict resolves.
  • Maurice Ronet (José): Maurice Ronet's character undergoes a significant shift in the final act.

What Does the Ending of The Devil Made a Woman Mean?

The Devil Made a Woman's ending attempts to resolve the major plot threads, though some narrative elements involving Sara Montiel may feel rushed. Tulio Demicheli's final act has been both praised for its ambition and criticized for its execution.