The Family Ending Explained: "The Family," an album with a velvet cover, is meant to touch the extended family of man. Directed by Ettore Scola, this 1987 drama film stars Vittorio Gassman (Carlo as a man / Carlo's grandfather), alongside Fanny Ardant as Adriana, Stefania Sandrelli as Beatrice, Andrea Occhipinti as Carlo as a young man. Rated 7.5/10 by audiences, the conclusion brings the story to a satisfying close.

What Happens at the End of The Family?

"The Family," an album with a velvet cover, is meant to touch the extended family of man. Formal portraits, bookends in this 80-year saga, enclose the central story, which opens with the baptism of Carlo, a baby in his grandfather's lap, and ends with Carlo as a grandfather with a baby in his arms. And never once do we get out of the house, whose rooms provide the film's structure. Comfort or passion? Carlo couldn't really decide until it was too late.

Ettore Scola's narrative builds toward a resolution centered on Vittorio Gassman (Carlo as a man / Carlo's grandfather)'s journey. Formal portraits, bookends in this 80-year saga, enclose the central story, which opens with the baptism of Carlo, a baby in his grandfather's lap, and ends with Carlo as a grandfather with a baby in his arms.

How Does Vittorio Gassman (Carlo as a man / Carlo's grandfather)'s Story End?

  • Vittorio Gassman: Vittorio Gassman's arc reaches a definitive conclusion by the final act, with Ettore Scola delivering a resolution that feels earned after the film's 2h 7m runtime.
  • Fanny Ardant (Adriana): Fanny Ardant's role in the climax proves pivotal to how the central conflict resolves.
  • Stefania Sandrelli (Beatrice): Stefania Sandrelli's character undergoes a significant shift in the final act.

What Does the Ending of The Family Mean?

The ending of The Family ties together the narrative threads involving Vittorio Gassman. Ettore Scola chooses a conclusion that prioritizes thematic consistency over surprise, resulting in an ending that rewards viewers who engaged with the story's central themes.