The Gambler Ending Explained: In 1866, a young Muscovite named Alexei Ivanovitch arrives in Baden Baden, then the gambling capital of Austria, and is soon engaged by General Zagorianski to look after his children. Directed by Claude Autant-Lara, this 1958 drama film stars Gérard Philipe (Alexei Ivanovitch), alongside Liselotte Pulver as Pauline Zagorianski, Françoise Rosay as Aunt Antonia, Jean Danet as Marquis des Grieux. With a 6.7/10 rating, the ending has divided audiences.

What Happens at the End of The Gambler?

In 1866, a young Muscovite named Alexei Ivanovitch arrives in Baden Baden, then the gambling capital of Austria, and is soon engaged by General Zagorianski to look after his children. Alexei discovers that his employer is a compulsive gambler who has been almost ruined by his addiction. The only money the General has is provided by the Marquis de Grieux, an adventurer who intends to marry Zagorianski’s sister, Pauline. In doing so, de Grieux hopes to profit from the vast inheritance that will come the General’s way from his Aunt Antonina, who is presently very ill. Alexei is appalled by this society which lives only for money. He loves Pauline and wants to take her to a healthier place, but when she refuses to marry him, he begins to gamble at the casino…

Claude Autant-Lara's narrative builds toward a resolution centered on Gérard Philipe (Alexei Ivanovitch)'s journey. Alexei discovers that his employer is a compulsive gambler who has been almost ruined by his addiction.

How Does Gérard Philipe (Alexei Ivanovitch)'s Story End?

  • Gérard Philipe: Gérard Philipe's storyline wraps up in the final act, though some viewers have found the resolution more ambiguous than expected.
  • Liselotte Pulver (Pauline Zagorianski): Liselotte Pulver's role in the climax proves pivotal to how the central conflict resolves.
  • Françoise Rosay (Aunt Antonia): Françoise Rosay's character undergoes a significant shift in the final act.

What Does the Ending of The Gambler Mean?

The Gambler's ending attempts to resolve the major plot threads, though some narrative elements involving Gérard Philipe may feel rushed. Claude Autant-Lara's final act has been both praised for its ambition and criticized for its execution.