The Intruder Ending Explained: What Happened and Why?
Complete breakdown of the climax, final twists, and spoilers for The Intruder.
The Intruder Ending Explained: Giovanna, a combative 60-year-old social worker on the frontline of the daily war against pervasive criminality, is confronted, like a modern Antigone, with a moral dilemma that threatens to destroy her work and her life. Directed by Leonardo Di Costanzo, this 2017 drama film stars Raffaella Giordano (Giovanna), alongside Valentina Vannino as Maria, Martina Abbate as Rita, Anna Patierno as Sabina. With a 6.2/10 rating, the ending has divided audiences.
What Happens at the End of The Intruder?
Naples. Present day. Giovanna, a combative 60-year-old social worker on the frontline of the daily war against pervasive criminality, is confronted, like a modern Antigone, with a moral dilemma that threatens to destroy her work and her life. Giovanna runs an after-school centre that takes care of underprivileged children; a grassroots alternative to the mafia dominance of the city. But one day, young Maria, wife of a ruthless Camorra criminal on the run, and her two children take refuge at the centre, and ask Giovanna for protection.
Leonardo Di Costanzo's narrative builds toward a resolution centered on Raffaella Giordano (Giovanna)'s journey. Giovanna runs an after-school centre that takes care of underprivileged children; a grassroots alternative to the mafia dominance of the city.
How Does Raffaella Giordano (Giovanna)'s Story End?
- Raffaella Giordano: Raffaella Giordano's storyline wraps up in the final act, though some viewers have found the resolution more ambiguous than expected.
- Valentina Vannino (Maria): Valentina Vannino's role in the climax proves pivotal to how the central conflict resolves.
- Martina Abbate (Rita): Martina Abbate's character undergoes a significant shift in the final act.
What Does the Ending of The Intruder Mean?
The Intruder's ending attempts to resolve the major plot threads, though some narrative elements involving Raffaella Giordano may feel rushed. Leonardo Di Costanzo's final act has been both praised for its ambition and criticized for its execution.