The Snowman Ending Explained: What Happened and Why?
Complete breakdown of the climax, final twists, and spoilers for The Snowman.
The Snowman Ending Explained: Dorn, a young adventurer and survivalist, is trying to sell 50,000 porn magazines in a flophouse in Malta when he is interrupted by the police. Directed by Peter F. Bringmann, this 1985 story film stars Marius Müller-Westernhagen (Siegfried Dorn), alongside Polly Eltes as Cora, Towje Kleiner as Lazlo, Heinz Wanitschek as Roda. With a 6.3/10 rating, the ending has divided audiences.
What Happens at the End of The Snowman?
Dorn, a young adventurer and survivalist, is trying to sell 50,000 porn magazines in a flophouse in Malta when he is interrupted by the police. On the run, he finds a luggage storage ticket from Frankfurt Central Station. Together with his friend Lazlo, he sets out to retrieve the contents of the locker - 5 kilograms of pure cocaine. Dorn, who is completely out of his mind, does not hesitate for a second to turn the substance into money. In doing so, he completely overlooks the danger he is putting himself in. Two rival gangs are hunting him down and trying to seize the drugs with all their might.
Peter F. Bringmann's narrative builds toward a resolution centered on Marius Müller-Westernhagen (Siegfried Dorn)'s journey. On the run, he finds a luggage storage ticket from Frankfurt Central Station.
How Does Marius Müller-Westernhagen (Siegfried Dorn)'s Story End?
- Marius Müller-Westernhagen: Marius Müller-Westernhagen's storyline wraps up in the final act, though some viewers have found the resolution more ambiguous than expected.
- Polly Eltes (Cora): Polly Eltes's role in the climax proves pivotal to how the central conflict resolves.
- Towje Kleiner (Lazlo): Towje Kleiner's character undergoes a significant shift in the final act.
What Does the Ending of The Snowman Mean?
The Snowman's ending attempts to resolve the major plot threads, though some narrative elements involving Marius Müller-Westernhagen may feel rushed. Peter F. Bringmann's final act has been both praised for its ambition and criticized for its execution.