This crazy, crazy Buenos Aires Ending Explained: A musician from Cordoba arrives in Buenos Aires and stays in a pension where he will meet a lively porteño, a provincial who works as a chorus girl in a magazine theater, a friendly and helpful girl and a success. Directed by Fernando Siro, this 1973 comedy film stars Santiago Bal (Ricardo), alongside Susana Brunetti as Ana María, Ismael Echevarría as Rufino Manggiapane, Nelly Panizza as Tita. With a 10/10 audience rating, the ending has been widely praised.

What Happens at the End of This crazy, crazy Buenos Aires?

A musician from Cordoba arrives in Buenos Aires and stays in a pension where he will meet a lively porteño, a provincial who works as a chorus girl in a magazine theater, a friendly and helpful girl and a success.

How Does Santiago Bal (Ricardo)'s Story End?

  • Santiago Bal: Santiago Bal's arc reaches a definitive conclusion by the final act, with Fernando Siro delivering a resolution that feels earned after the film's 1h 27m runtime.
  • Susana Brunetti (Ana María): Susana Brunetti's role in the climax proves pivotal to how the central conflict resolves.
  • Ismael Echevarría (Rufino Manggiapane): Ismael Echevarría's character undergoes a significant shift in the final act.

What Does the Ending of This crazy, crazy Buenos Aires Mean?

This crazy, crazy Buenos Aires concludes with Fernando Siro reinforcing the comedy themes established throughout the film. The final moments with Santiago Bal leave a lasting impression — the ending is both a resolution and a statement about the story's central questions.