Tokyo Revelation Ending Explained: Akito Kobayashi has always had an interest in the occult, and when he learns to control demons though the help of a computer program he created and magnetite, the essence of human life, he plans to unleash hell on earth. Directed by Osamu Yamasaki, this 1995 animation anime stars Nobuyuki Hiyama (Akito Kobayashi (voice)), alongside Hikaru Midorikawa as Kojirou Souma (voice), Kotono Mitsuishi as Saki Yagami (voice), Hideyuki Umezu as Gakison (voice). Rated 5/10, the conclusion has sparked discussion among viewers.

What Happens at the End of Tokyo Revelation?

Akito Kobayashi has always had an interest in the occult, and when he learns to control demons though the help of a computer program he created and magnetite, the essence of human life, he plans to unleash hell on earth. The only hinderance may lie within his old friend Kojiro Soma, who has the ability to stop the destruction, if he can find it within himself to do so.

Osamu Yamasaki's narrative builds toward a resolution centered on Nobuyuki Hiyama (Akito Kobayashi (voice))'s journey. The only hinderance may lie within his old friend Kojiro Soma, who has the ability to stop the destruction, if he can find it within himself to do so.

As part of the Megami Tensei Collection, the ending carries additional weight for fans following the franchise.

How Does Nobuyuki Hiyama (Akito Kobayashi (voice))'s Story End?

  • Nobuyuki Hiyama: Nobuyuki Hiyama's storyline wraps up in the final act, though some viewers have found the resolution more ambiguous than expected.
  • Hikaru Midorikawa (Kojirou Souma (voice)): Hikaru Midorikawa's role in the climax proves pivotal to how the central conflict resolves.
  • Kotono Mitsuishi (Saki Yagami (voice)): Kotono Mitsuishi's character undergoes a significant shift in the final act.

What Does the Ending of Tokyo Revelation Mean?

The ending of Tokyo Revelation brings the narrative to a close, though viewer reception has been mixed. The resolution of Nobuyuki Hiyama's story may not satisfy all audiences.