Detailed collection report

Is 無愛想な隣人は…デカチンを生でぶち込まれると下品なイキ顔をさらすデカパイ女 a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $30.0M, 無愛想な隣人は…デカチンを生でぶち込まれると下品なイキ顔をさらすデカパイ女 is declared a Disaster.
📊 Box Office Snapshot
📔 Detailed Verdict Analysis
📜 Detailed Financial Report
無愛想な隣人は…デカチンを生でぶち込まれると下品なイキ顔をさらすデカパイ女, released in 2025, entered the cinematic marketplace as a Drama film. The production path for this project involved significant capital, with a reported budget of approximately $50.0M. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
📈 Collection Trajectory
The box office journey for 無愛想な隣人は…デカチンを生でぶち込まれると下品なイキ顔をさらすデカパイ女 has culminated in a worldwide gross of approximately $30.0M. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of -40%. The collection trajectory points to a challenging market response, where the theatrical gross struggled to clear the traditional break-even multiplier required for production and marketing recovery.
⚖️ Profitability & Verdict
Analyzing the multiplier effect and market sentiment, 無愛想な隣人は…デカチンを生でぶち込まれると下品なイキ顔をさらすデカパイ女 navigated the competitive landscape with an audience reception score of 0/10. When weighing the production costs against the global returns, 無愛想な隣人は…デカチンを生でぶち込まれると下品なイキ顔をさらすデカパイ女 is effectively categorized as a Disaster. It serves as an analytical benchmark for the complexities of modern theatrical distribution and evolving viewer preferences.
🔍 Comparables
In the context of other Drama releases, the performance of 無愛想な隣人は…デカチンを生でぶち込まれると下品なイキ顔をさらすデカパイ女 will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 2025 box office narrative.
🍿 Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.