
Is Beaster Day: Here Comes Peter Cottonhell a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $90,000.00, Beaster Day: Here Comes Peter Cottonhell is declared a Disaster.
📊 Box Office Snapshot
📔 Detailed Verdict Analysis
📜 Detailed Financial Report
Marking its arrival in 2014, Beaster Day: Here Comes Peter Cottonhell positioned itself as a Comedy / Horror film aiming for mass appeal. The production path for this project involved significant capital, with a reported budget of approximately $150,000.00. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
📈 Collection Trajectory
The box office journey for Beaster Day: Here Comes Peter Cottonhell has culminated in a worldwide gross of approximately $90,000.00. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of -40%. The underwhelming numbers suggest a disconnect with the intended audience, limiting the film's potential for a long theatrical life.
⚖️ Profitability & Verdict
Analyzing the multiplier effect and market sentiment, Beaster Day: Here Comes Peter Cottonhell navigated the competitive landscape with an audience reception score of 2.5/10. When weighing the production costs against the global returns, Beaster Day: Here Comes Peter Cottonhell is effectively categorized as a Disaster. This result will likely prompt a re-evaluation of budget strategies for similar genre entries moving forward.
🔍 Comparables
In the context of other Comedy releases, the performance of Beaster Day: Here Comes Peter Cottonhell will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 2014 box office narrative.
🍿 Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.