Is Bette Davis: The Benevolent Volcano a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $200,000,000.00, Bette Davis: The Benevolent Volcano is declared a Blockbuster.
π Box Office Snapshot
π Detailed Verdict Analysis
π Detailed Financial Report
Marking its arrival in 1983, Bette Davis: The Benevolent Volcano positioned itself as a Documentary film aiming for mass appeal. The production path for this project involved significant capital, with a reported budget of approximately $50,000,000.00. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
π Collection Trajectory
The box office journey for Bette Davis: The Benevolent Volcano has culminated in a worldwide gross of approximately $200,000,000.00. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of 300%. This performance indicates a strong grasp of the target demographic and sustained momentum beyond the opening weekend, a hallmark of major commercial ΡΡΠΏΠ΅Ρ Π°.
βοΈ Profitability & Verdict
Analyzing the multiplier effect and market sentiment, Bette Davis: The Benevolent Volcano navigated the competitive landscape with an audience reception score of 7.3/10. When weighing the production costs against the global returns, Bette Davis: The Benevolent Volcano is effectively categorized as a Blockbuster. It stands as a testament to the power of high-concept storytelling and broad audience appeal.
π Comparables
In the context of other Documentary releases, the performance of Bette Davis: The Benevolent Volcano will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 1983 box office narrative.
πΏ Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.