Chasing Two Hares backdrop
VERDICT: Disaster
Expert Verified

Is Chasing Two Hares a Hit or Flop? Official Box Office Record & Profit Analysis

The official verdict is out. With a worldwide gross of $30M, Chasing Two Hares is declared a Disaster.

📊 Box Office Snapshot

Budget$50M
Box Office$30M
Profit / Loss -$20M
Return on Investment (ROI) -40%

* A movie is generally considered a "Hit" if it recovers its budget and marketing costs (approx 2x budget).

📔 Detailed Verdict Analysis

📜 Detailed Financial Report

Marking its arrival in 2001, Chasing Two Hares positioned itself as a Comedy / TV Movie film aiming for mass appeal. The production path for this project involved significant capital, with a reported budget of approximately $50M. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.

📈 Collection Trajectory

The box office journey for Chasing Two Hares has culminated in a worldwide gross of approximately $30M. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of -40%. The collection trajectory points to a challenging market response, where the theatrical gross struggled to clear the traditional break-even multiplier required for production and marketing recovery.

⚖️ Profitability & Verdict

Analyzing the multiplier effect and market sentiment, Chasing Two Hares navigated the competitive landscape with an audience reception score of 0/10. When weighing the production costs against the global returns, Chasing Two Hares is effectively categorized as a Disaster. The outcome highlights the risks involved in big-budget filmmaking when audience alignment is missed.

🔍 Comparables

In the context of other Comedy releases, the performance of Chasing Two Hares will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 2001 box office narrative.