Detailed collection report
Is Cry Baby: The Pedal that Rocks the World a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $200,000,000.00, Cry Baby: The Pedal that Rocks the World is declared a Blockbuster.
π Box Office Snapshot
π Detailed Verdict Analysis
π Detailed Financial Report
Cry Baby: The Pedal that Rocks the World, released in 2011, entered the cinematic marketplace as a Documentary / Music film. The production path for this project involved significant capital, with a reported budget of approximately $50,000,000.00. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
π Collection Trajectory
The box office journey for Cry Baby: The Pedal that Rocks the World has culminated in a worldwide gross of approximately $200,000,000.00. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of 300%. The numbers reflect a powerful connection with audiences, translating into a box office run that exceeded initial studio projections.
βοΈ Profitability & Verdict
Analyzing the multiplier effect and market sentiment, Cry Baby: The Pedal that Rocks the World navigated the competitive landscape with an audience reception score of 8/10. When weighing the production costs against the global returns, Cry Baby: The Pedal that Rocks the World is effectively categorized as a Blockbuster. This result solidifies the film's place as a significant earner in the yearly box office rankings.
π Comparables
In the context of other Documentary releases, the performance of Cry Baby: The Pedal that Rocks the World will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 2011 box office narrative.
πΏ Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.