Detailed collection report
Is Diamond in the Rough: The Making of Aladdin a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $75,000,000.00, Diamond in the Rough: The Making of Aladdin is declared a Average.
π Box Office Snapshot
π Detailed Verdict Analysis
π Detailed Financial Report
Diamond in the Rough: The Making of Aladdin, released in 2004, entered the cinematic marketplace as a Documentary film. The production path for this project involved significant capital, with a reported budget of approximately $50,000,000.00. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
π Collection Trajectory
The box office journey for Diamond in the Rough: The Making of Aladdin has culminated in a worldwide gross of approximately $75,000,000.00. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of 50%. Although not a breakout sensation, the collection figures demonstrate a reliable performance that contributes to the studio's annual slate.
βοΈ Profitability & Verdict
Analyzing the multiplier effect and market sentiment, Diamond in the Rough: The Making of Aladdin navigated the competitive landscape with an audience reception score of 6/10. When weighing the production costs against the global returns, Diamond in the Rough: The Making of Aladdin is effectively categorized as a Average. This performance validates the commercial viability of the genre and the star power involved.
π Comparables
In the context of other Documentary releases, the performance of Diamond in the Rough: The Making of Aladdin will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 2004 box office narrative.
πΏ Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.