Detailed collection report
Is Ed McBain's 87th Precinct: Heatwave a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $75,000,000.00, Ed McBain's 87th Precinct: Heatwave is declared a Average.
📊 Box Office Snapshot
📔 Detailed Verdict Analysis
📜 Detailed Financial Report
Marking its arrival in 1997, Ed McBain's 87th Precinct: Heatwave positioned itself as a Drama / Crime / TV Movie film aiming for mass appeal. The production path for this project involved significant capital, with a reported budget of approximately $50,000,000.00. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
📈 Collection Trajectory
The box office journey for Ed McBain's 87th Precinct: Heatwave has culminated in a worldwide gross of approximately $75,000,000.00. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of 50%. While the film found its footing, the margins suggest a moderate transition from theatrical exhibition to overall profitability, likely relying on secondary revenue streams.
⚖️ Profitability & Verdict
Analyzing the multiplier effect and market sentiment, Ed McBain's 87th Precinct: Heatwave navigated the competitive landscape with an audience reception score of 6.2/10. When weighing the production costs against the global returns, Ed McBain's 87th Precinct: Heatwave is effectively categorized as a Average. A solid success that demonstrates effective resource allocation and content-market fit.
🔍 Comparables
In the context of other Drama releases, the performance of Ed McBain's 87th Precinct: Heatwave will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 1997 box office narrative.
🍿 Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.