Detailed collection report
Is Elgar: Fantasy of a Composer on a Bicycle a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $200,000,000.00, Elgar: Fantasy of a Composer on a Bicycle is declared a Blockbuster.
π Box Office Snapshot
π Detailed Verdict Analysis
π Detailed Financial Report
In the competitive landscape of 2002, Elgar: Fantasy of a Composer on a Bicycle debuted as a Documentary / Drama / TV Movie film with significant commercial expectations. The production path for this project involved significant capital, with a reported budget of approximately $50,000,000.00. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
π Collection Trajectory
The box office journey for Elgar: Fantasy of a Composer on a Bicycle has culminated in a worldwide gross of approximately $200,000,000.00. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of 300%. The numbers reflect a powerful connection with audiences, translating into a box office run that exceeded initial studio projections.
βοΈ Profitability & Verdict
Analyzing the multiplier effect and market sentiment, Elgar: Fantasy of a Composer on a Bicycle navigated the competitive landscape with an audience reception score of 7.5/10. When weighing the production costs against the global returns, Elgar: Fantasy of a Composer on a Bicycle is effectively categorized as a Blockbuster. This result solidifies the film's place as a significant earner in the yearly box office rankings.
π Comparables
In the context of other Documentary releases, the performance of Elgar: Fantasy of a Composer on a Bicycle will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 2002 box office narrative.
πΏ Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.