Is Fainting: Hitomi Kobayashi in London 2 a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $30,000,000.00, Fainting: Hitomi Kobayashi in London 2 is declared a Disaster.
π Box Office Snapshot
π Detailed Verdict Analysis
π Detailed Financial Report
Marking its arrival in 1987, Fainting: Hitomi Kobayashi in London 2 positioned itself as a highly anticipated release aiming for mass appeal. The production path for this project involved significant capital, with a reported budget of approximately $50,000,000.00. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
π Collection Trajectory
The box office journey for Fainting: Hitomi Kobayashi in London 2 has culminated in a worldwide gross of approximately $30,000,000.00. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of -40%. The collection trajectory points to a challenging market response, where the theatrical gross struggled to clear the traditional break-even multiplier required for production and marketing recovery.
βοΈ Profitability & Verdict
Analyzing the multiplier effect and market sentiment, Fainting: Hitomi Kobayashi in London 2 navigated the competitive landscape with an audience reception score of 0/10. When weighing the production costs against the global returns, Fainting: Hitomi Kobayashi in London 2 is effectively categorized as a Disaster. It serves as an analytical benchmark for the complexities of modern theatrical distribution and evolving viewer preferences.
π Comparables
In the context of other contemporary releases, the performance of Fainting: Hitomi Kobayashi in London 2 will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 1987 box office narrative.
πΏ Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.