
Is 家事代行お姉さんのケツが誘っているようにしか見えないから拡張無しの即アナルFUCKで肛門の気持ち良さを叩きこんでやった a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $30M, 家事代行お姉さんのケツが誘っているようにしか見えないから拡張無しの即アナルFUCKで肛門の気持ち良さを叩きこんでやった is declared a Disaster.
📊 Box Office Snapshot
📔 Detailed Verdict Analysis
📜 Detailed Financial Report
家事代行お姉さんのケツが誘っているようにしか見えないから拡張無しの即アナルFUCKで肛門の気持ち良さを叩きこんでやった, released in 2024, entered the cinematic marketplace as a Crime film. The production path for this project involved significant capital, with a reported budget of approximately $50M. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
📈 Collection Trajectory
The box office journey for 家事代行お姉さんのケツが誘っているようにしか見えないから拡張無しの即アナルFUCKで肛門の気持ち良さを叩きこんでやった has culminated in a worldwide gross of approximately $30M. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of -40%. The collection trajectory points to a challenging market response, where the theatrical gross struggled to clear the traditional break-even multiplier required for production and marketing recovery.
⚖️ Profitability & Verdict
Analyzing the multiplier effect and market sentiment, 家事代行お姉さんのケツが誘っているようにしか見えないから拡張無しの即アナルFUCKで肛門の気持ち良さを叩きこんでやった navigated the competitive landscape with an audience reception score of 0/10. When weighing the production costs against the global returns, 家事代行お姉さんのケツが誘っているようにしか見えないから拡張無しの即アナルFUCKで肛門の気持ち良さを叩きこんでやった is effectively categorized as a Disaster. This result will likely prompt a re-evaluation of budget strategies for similar genre entries moving forward.
🔍 Comparables
In the context of other Crime releases, the performance of 家事代行お姉さんのケツが誘っているようにしか見えないから拡張無しの即アナルFUCKで肛門の気持ち良さを叩きこんでやった will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 2024 box office narrative.