Is Groper Bus: Good Wife, Bad Wife, Normal Wife a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $30,000,000.00, Groper Bus: Good Wife, Bad Wife, Normal Wife is declared a Disaster.
📊 Box Office Snapshot
📔 Detailed Verdict Analysis
📜 Detailed Financial Report
Marking its arrival in 1982, Groper Bus: Good Wife, Bad Wife, Normal Wife positioned itself as a highly anticipated release aiming for mass appeal. The production path for this project involved significant capital, with a reported budget of approximately $50,000,000.00. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
📈 Collection Trajectory
The box office journey for Groper Bus: Good Wife, Bad Wife, Normal Wife has culminated in a worldwide gross of approximately $30,000,000.00. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of -40%. The underwhelming numbers suggest a disconnect with the intended audience, limiting the film's potential for a long theatrical life.
⚖️ Profitability & Verdict
Analyzing the multiplier effect and market sentiment, Groper Bus: Good Wife, Bad Wife, Normal Wife navigated the competitive landscape with an audience reception score of 2/10. When weighing the production costs against the global returns, Groper Bus: Good Wife, Bad Wife, Normal Wife is effectively categorized as a Disaster. It serves as an analytical benchmark for the complexities of modern theatrical distribution and evolving viewer preferences.
🔍 Comparables
In the context of other contemporary releases, the performance of Groper Bus: Good Wife, Bad Wife, Normal Wife will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 1982 box office narrative.
🍿 Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.