Is Herbie Hancock At The Munich Summer Piano Festival a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $75,000,000.00, Herbie Hancock At The Munich Summer Piano Festival is declared a Average.
๐ Box Office Snapshot
๐ Detailed Verdict Analysis
๐ Detailed Financial Report
Herbie Hancock At The Munich Summer Piano Festival, released in 1987, entered the cinematic marketplace as a Music film. The production path for this project involved significant capital, with a reported budget of approximately $50,000,000.00. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
๐ Collection Trajectory
The box office journey for Herbie Hancock At The Munich Summer Piano Festival has culminated in a worldwide gross of approximately $75,000,000.00. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of 50%. The box office returns point to a steady but unspectacular run, with the film performing adequately within its genre expectations.
โ๏ธ Profitability & Verdict
Analyzing the multiplier effect and market sentiment, Herbie Hancock At The Munich Summer Piano Festival navigated the competitive landscape with an audience reception score of 6/10. When weighing the production costs against the global returns, Herbie Hancock At The Munich Summer Piano Festival is effectively categorized as a Average. This performance validates the commercial viability of the genre and the star power involved.
๐ Comparables
In the context of other Music releases, the performance of Herbie Hancock At The Munich Summer Piano Festival will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 1987 box office narrative.
๐ฟ Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.