
Is In the Name of the King 2: Two Worlds a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $2,700,000.00, In the Name of the King 2: Two Worlds is declared a Disaster.
📊 Box Office Snapshot
📔 Detailed Verdict Analysis
📜 Detailed Financial Report
In the Name of the King 2: Two Worlds, released in 2011, entered the cinematic marketplace as a Adventure / Fantasy / Drama / Action film. The production path for this project involved significant capital, with a reported budget of approximately $4,500,000.00. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
📈 Collection Trajectory
The box office journey for In the Name of the King 2: Two Worlds has culminated in a worldwide gross of approximately $2,700,000.00. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of -40%. Despite the hype, the ticket sales faced headwinds, resulting in a total that fell short of the necessary threshold for theatrical profitability.
⚖️ Profitability & Verdict
Analyzing the multiplier effect and market sentiment, In the Name of the King 2: Two Worlds navigated the competitive landscape with an audience reception score of 3.9/10. When weighing the production costs against the global returns, In the Name of the King 2: Two Worlds is effectively categorized as a Disaster. The outcome highlights the risks involved in big-budget filmmaking when audience alignment is missed.
🔍 Comparables
In the context of other Adventure releases, the performance of In the Name of the King 2: Two Worlds will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 2011 box office narrative.
🍿 Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.