
Is John Huston: The Man, the Movies, the Maverick a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $75,000,000.00, John Huston: The Man, the Movies, the Maverick is declared a Average.
📊 Box Office Snapshot
📔 Detailed Verdict Analysis
📜 Detailed Financial Report
John Huston: The Man, the Movies, the Maverick, released in 1988, entered the cinematic marketplace as a Documentary film. The production path for this project involved significant capital, with a reported budget of approximately $50,000,000.00. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
📈 Collection Trajectory
The box office journey for John Huston: The Man, the Movies, the Maverick has culminated in a worldwide gross of approximately $75,000,000.00. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of 50%. The box office returns point to a steady but unspectacular run, with the film performing adequately within its genre expectations.
⚖️ Profitability & Verdict
Analyzing the multiplier effect and market sentiment, John Huston: The Man, the Movies, the Maverick navigated the competitive landscape with an audience reception score of 5.9/10. When weighing the production costs against the global returns, John Huston: The Man, the Movies, the Maverick is effectively categorized as a Average. A solid success that demonstrates effective resource allocation and content-market fit.
🔍 Comparables
In the context of other Documentary releases, the performance of John Huston: The Man, the Movies, the Maverick will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 1988 box office narrative.
🍿 Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.