Is Koji Shiraishi's Never Send Me, Please Vol.2 a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $30,000,000.00, Koji Shiraishi's Never Send Me, Please Vol.2 is declared a Disaster.
📊 Box Office Snapshot
📔 Detailed Verdict Analysis
📜 Detailed Financial Report
Koji Shiraishi's Never Send Me, Please Vol.2, released in 2024, entered the cinematic marketplace as a Horror film. The production path for this project involved significant capital, with a reported budget of approximately $50,000,000.00. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
📈 Collection Trajectory
The box office journey for Koji Shiraishi's Never Send Me, Please Vol.2 has culminated in a worldwide gross of approximately $30,000,000.00. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of -40%. Despite the hype, the ticket sales faced headwinds, resulting in a total that fell short of the necessary threshold for theatrical profitability.
⚖️ Profitability & Verdict
Analyzing the multiplier effect and market sentiment, Koji Shiraishi's Never Send Me, Please Vol.2 navigated the competitive landscape with an audience reception score of 0/10. When weighing the production costs against the global returns, Koji Shiraishi's Never Send Me, Please Vol.2 is effectively categorized as a Disaster. The outcome highlights the risks involved in big-budget filmmaking when audience alignment is missed.
🔍 Comparables
In the context of other Horror releases, the performance of Koji Shiraishi's Never Send Me, Please Vol.2 will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 2024 box office narrative.
🍿 Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.