Detailed collection report
Is La Véritable Histoire des Coupes du Monde a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $75,000,000.00, La Véritable Histoire des Coupes du Monde is declared a Average.
📊 Box Office Snapshot
📔 Detailed Verdict Analysis
📜 Detailed Financial Report
Marking its arrival in 2014, La Véritable Histoire des Coupes du Monde positioned itself as a Documentary film aiming for mass appeal. The production path for this project involved significant capital, with a reported budget of approximately $50,000,000.00. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
📈 Collection Trajectory
The box office journey for La Véritable Histoire des Coupes du Monde has culminated in a worldwide gross of approximately $75,000,000.00. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of 50%. Although not a breakout sensation, the collection figures demonstrate a reliable performance that contributes to the studio's annual slate.
⚖️ Profitability & Verdict
Analyzing the multiplier effect and market sentiment, La Véritable Histoire des Coupes du Monde navigated the competitive landscape with an audience reception score of 7/10. When weighing the production costs against the global returns, La Véritable Histoire des Coupes du Monde is effectively categorized as a Average. A solid success that demonstrates effective resource allocation and content-market fit.
🔍 Comparables
In the context of other Documentary releases, the performance of La Véritable Histoire des Coupes du Monde will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 2014 box office narrative.
🍿 Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.