Detailed collection report

Is Leslie Cheung: Final Encounter of the Legend a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $200,000,000.00, Leslie Cheung: Final Encounter of the Legend is declared a Blockbuster.
📊 Box Office Snapshot
📔 Detailed Verdict Analysis
📜 Detailed Financial Report
Marking its arrival in 1989, Leslie Cheung: Final Encounter of the Legend positioned itself as a Music film aiming for mass appeal. The production path for this project involved significant capital, with a reported budget of approximately $50,000,000.00. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
📈 Collection Trajectory
The box office journey for Leslie Cheung: Final Encounter of the Legend has culminated in a worldwide gross of approximately $200,000,000.00. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of 300%. Such a robust financial display underscores the film's broad appeal and effective marketing campaign.
⚖️ Profitability & Verdict
Analyzing the multiplier effect and market sentiment, Leslie Cheung: Final Encounter of the Legend navigated the competitive landscape with an audience reception score of 8/10. When weighing the production costs against the global returns, Leslie Cheung: Final Encounter of the Legend is effectively categorized as a Blockbuster. This result solidifies the film's place as a significant earner in the yearly box office rankings.
🔍 Comparables
In the context of other Music releases, the performance of Leslie Cheung: Final Encounter of the Legend will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 1989 box office narrative.
🍿 Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.