Detailed collection report

Is Little Oral Annie Takes Manhattan a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $30,000,000.00, Little Oral Annie Takes Manhattan is declared a Disaster.
đ Box Office Snapshot
đ Detailed Verdict Analysis
đ Detailed Financial Report
In the competitive landscape of 1985, Little Oral Annie Takes Manhattan debuted as a highly anticipated release with significant commercial expectations. The production path for this project involved significant capital, with a reported budget of approximately $50,000,000.00. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
đ Collection Trajectory
The box office journey for Little Oral Annie Takes Manhattan has culminated in a worldwide gross of approximately $30,000,000.00. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of -40%. The underwhelming numbers suggest a disconnect with the intended audience, limiting the film's potential for a long theatrical life.
âď¸ Profitability & Verdict
Analyzing the multiplier effect and market sentiment, Little Oral Annie Takes Manhattan navigated the competitive landscape with an audience reception score of 3/10. When weighing the production costs against the global returns, Little Oral Annie Takes Manhattan is effectively categorized as a Disaster. It serves as an analytical benchmark for the complexities of modern theatrical distribution and evolving viewer preferences.
đ Comparables
In the context of other contemporary releases, the performance of Little Oral Annie Takes Manhattan will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 1985 box office narrative.
đż Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.