
Is Lorelei: The Witch of the Pacific Ocean a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $19,806,585.00, Lorelei: The Witch of the Pacific Ocean is declared a Hit.
📊 Box Office Snapshot
📔 Detailed Verdict Analysis
📜 Detailed Financial Report
In the competitive landscape of 2005, Lorelei: The Witch of the Pacific Ocean debuted as a Drama / War / Science Fiction / Thriller / Action / Adventure film with significant commercial expectations. The production path for this project involved significant capital, with a reported budget of approximately $9,500,000.00. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
📈 Collection Trajectory
The box office journey for Lorelei: The Witch of the Pacific Ocean has culminated in a worldwide gross of approximately $19,806,585.00. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of 108%. Such a robust financial display underscores the film's broad appeal and effective marketing campaign.
⚖️ Profitability & Verdict
Analyzing the multiplier effect and market sentiment, Lorelei: The Witch of the Pacific Ocean navigated the competitive landscape with an audience reception score of 6/10. When weighing the production costs against the global returns, Lorelei: The Witch of the Pacific Ocean is effectively categorized as a Hit. It delivers a respectable return, ensuring confidence in future projects of similar scale.
🔍 Comparables
In the context of other Drama releases, the performance of Lorelei: The Witch of the Pacific Ocean will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 2005 box office narrative.
🍿 Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.