Detailed collection report

Is Lydia Lunch: The War Is Never Over a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $75,000,000.00, Lydia Lunch: The War Is Never Over is declared a Average.
📊 Box Office Snapshot
📔 Detailed Verdict Analysis
📜 Detailed Financial Report
Lydia Lunch: The War Is Never Over, released in 2019, entered the cinematic marketplace as a Documentary film. The production path for this project involved significant capital, with a reported budget of approximately $50,000,000.00. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
📈 Collection Trajectory
The box office journey for Lydia Lunch: The War Is Never Over has culminated in a worldwide gross of approximately $75,000,000.00. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of 50%. While the film found its footing, the margins suggest a moderate transition from theatrical exhibition to overall profitability, likely relying on secondary revenue streams.
⚖️ Profitability & Verdict
Analyzing the multiplier effect and market sentiment, Lydia Lunch: The War Is Never Over navigated the competitive landscape with an audience reception score of 6.8/10. When weighing the production costs against the global returns, Lydia Lunch: The War Is Never Over is effectively categorized as a Average. It delivers a respectable return, ensuring confidence in future projects of similar scale.
🔍 Comparables
In the context of other Documentary releases, the performance of Lydia Lunch: The War Is Never Over will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 2019 box office narrative.
🍿 Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.