Detailed collection report
Is Manila Emmanuelle’s Dangerous Paradise a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $30,000,000.00, Manila Emmanuelle’s Dangerous Paradise is declared a Disaster.
📊 Box Office Snapshot
📔 Detailed Verdict Analysis
📜 Detailed Financial Report
Manila Emmanuelle’s Dangerous Paradise, released in 1993, entered the cinematic marketplace as a Drama / Crime film. The production path for this project involved significant capital, with a reported budget of approximately $50,000,000.00. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
📈 Collection Trajectory
The box office journey for Manila Emmanuelle’s Dangerous Paradise has culminated in a worldwide gross of approximately $30,000,000.00. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of -40%. Despite the hype, the ticket sales faced headwinds, resulting in a total that fell short of the necessary threshold for theatrical profitability.
⚖️ Profitability & Verdict
Analyzing the multiplier effect and market sentiment, Manila Emmanuelle’s Dangerous Paradise navigated the competitive landscape with an audience reception score of 0/10. When weighing the production costs against the global returns, Manila Emmanuelle’s Dangerous Paradise is effectively categorized as a Disaster. It serves as an analytical benchmark for the complexities of modern theatrical distribution and evolving viewer preferences.
🔍 Comparables
In the context of other Drama releases, the performance of Manila Emmanuelle’s Dangerous Paradise will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 1993 box office narrative.
🍿 Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.