
Is Omniscient Reader: The Prophecy a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $4,500,000.00, Omniscient Reader: The Prophecy is declared a Disaster.
π Box Office Snapshot
π Detailed Verdict Analysis
π Detailed Financial Report
Marking its arrival in 2025, Omniscient Reader: The Prophecy positioned itself as a Action / Adventure / Fantasy film aiming for mass appeal. The production path for this project involved significant capital, with a reported budget of approximately $50,000,000.00. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
π Collection Trajectory
The box office journey for Omniscient Reader: The Prophecy has culminated in a worldwide gross of approximately $4,500,000.00. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of -91%. The collection trajectory points to a challenging market response, where the theatrical gross struggled to clear the traditional break-even multiplier required for production and marketing recovery.
βοΈ Profitability & Verdict
Analyzing the multiplier effect and market sentiment, Omniscient Reader: The Prophecy navigated the competitive landscape with an audience reception score of 6.8/10. When weighing the production costs against the global returns, Omniscient Reader: The Prophecy is effectively categorized as a Disaster. The outcome highlights the risks involved in big-budget filmmaking when audience alignment is missed.
π Comparables
In the context of other Action releases, the performance of Omniscient Reader: The Prophecy will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 2025 box office narrative.
πΏ Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.